Recently, I was part of a production of Kannagi, a classic Indian myth. I was part of the ensemble, playing small roles here and there, such as Kannagi’s friends in one section, or personifying bad luck in another. The entire production was around 18 minutes long, therefore being a shortened version of the story.
In the story, Kannagi meets Kovalan, a merchant, and the two fall in love and get married. However, when out on a trip, Kovalan meets the dancer Madhavi and spends all his money on her. Kannagi forgives Kovalan and gives him her anklet to trade and get money for. However, when he tries to get it sold, the jeweler charges him with the theft of the queen’s anklet, which had been missing and looked like Kannagi’s anklet. The king, normally just, orders the execution of Kovalan. When Kannagi hears of this, she is furious, opening up her anklet to prove that, unlike the queen’s, hers has rubies inside. She curses the city of Madurai to burn and becomes a goddess.
In our production, we played the role of Kannagi’s friends, dancing with her when she was joyous and celebrating the wedding, the role of bad luck, chasing Kovalan when he goes to sell the anklet, the role of soldiers, killing Kovalan, and the role of fire, showing the city burning down.
We learned this entire item in a week and I had class most days- Sunday, Monday, Wednesday, Thursday, Friday, and Saturday- leading up to the performance (Sunday the 8th). We learned the item in the first 4 days, using the last 2 as days to review and clean up the dance. Often, classes were 2 hours long including time to choreograph and practice.
The dance itself was a mix of styles from Southern India as the story originated from there. This included Bharatnatyam (Tamil Nadu), Mohiniyattam (Kerala), and Kathakali influences (Kerala).
During this time, I had the misfortune of injuring both my knee and my ankle. We made sure to order braces as soon as possible, hoping to alleviate the pain. Luckily, the braces did help, providing support for both areas and allowing me to continue to dance while still “resting” my leg. I wasn’t able to properly rest it with all the classes, but over time, as I continued to use the braces, the pain faded, though still there. For the final performance, I did end up wearing the knee brace.
While the performance wasn’t perfect, I was proud of what we’d learned and performed, especially at how emotional and powerful it was. It was an amazing item and I really enjoyed it and hope to learn something like it again.